Camp NaNoWriMo and the Mexican Influence

This is the third post in a month-long series on Camp NaNoWriMo, in which Evaric and Venezia share with you the process of writing a book in a month. Last time we talked about writing really really fast (or not).

Pyramid of the Moon in Teotihuacan, Estado de Mexico.
It’s no secret where I get my inspiration from.

The Mexican Influence

Since moving to Mexico City just over three months ago, every story I write has taken a turn for the Mexican. At the time I was writing a thriller set in an unspecified American city, but it took less than a week for me to realize it would be far more exciting if it were set here. Now for Camp NaNoWriMo I’m writing a fantasy adventure, set in what is essentially a medieval fantasy version of Mexico.

That’s not much of a stretch since Mexico is almost a fantasy setting already. Ancient pyramids rise from the desert, and in their shadow prowl creatures which could fell a man with a single bite or sting. Mexican history is a collection of desperate uprisings, unlikely alliances, and prophecies that came true.

Today we’re going to talk about how we, and all writers, can take advantage of where we come from and where we travel to create richer, fuller stories.

Ancient Inspirations

Statue of the rain god Tlaloc in Teotihuacan.
I don’t write fantasy. I live fantasy.

I’ve always been a sucker for pyramids. The first place my mind went when concocting the setting for A Memory in Indigo was pre-Hispanic Mesoamerica and the amazing societies that ruled it. My gringo compatriots probably think, as I used to, that the Aztecs and Mayans were the only real players before the Spanish came. Some of the most impressive pyramids in Mexico – like the one above – were built nearly 1500 years before the Aztecs existed. Here’s a fact that sends shivers down my spine: the time between the disappearance of the Teotihuacan (who built the aforementioned pyramid) and the rise of the Aztecs is over three centuries greater than the time between the fall of the Aztecs and the present day.

When something inspires you, it’s helpful to dig deeper and find out why. I know that pyramids make me happy, but if I just throw a pyramid in my story for no reason it will fall flat. After some reflection, I realized the appeal for me comes from the inherent, beautiful irony. Thousands of years before we were born, people created something we still find impressive today, but in the end it didn’t do them any good. Their society became dust, and all that remains of them are these structures that have long outlived their usefulness. Now that’s something I can tell a story about.

Mexico City at Night

View of Mexico City from a plane at night
I might have teared up a little when I saw it. Sue me.

I was a little disappointed when I first moved that I wasn’t able to pull off an insane Vancouver to Mexico City road trip and had to fly. Venezia told me the view of Mexico City at night would make up for it. She wasn’t kidding. Since that beautiful first impression, Ciudad de Mexico has continued to take my breath away at every turn.

When I started writing this month I didn’t think anything to do with CDMX would make it into the story. After all, it’s a medieval fantasy set in a fairly small town on a backwater archipelago, not a sprawling urban metropolis. Then, as I had with the pyramids, I thought deeper.

My first glimpse of the city was inspiring because each of the hundred million points of light (probably not even an exaggeration) represented some new experience or opportunity for me. The main setting of my story, the City of Fuscia, may be tiny by modern standards, but my main character wouldn’t see it that way. He comes from a fishing village with a population south of 20. To him, the modest harbors and ramshackle taverns of Fuscia are a whole new world.

Just this morning, as I was walking to the cafe where I’m writing this, I had another thought. An interesting quirk of this city is that each self-contained neighborhood is well-planned out, organized, and aesthetically coherent, but the way these neighborhoods are laid out in relation to each other is sheer nonsense. The result is a diverse and beautifully chaotic patchwork of a city.

My fictional city of Fuscia is constructed across a scattering of small islands linked together by bridges. With borders clearly defined by water, the city is unable to expand outward and new neighborhoods are literally stacked on top of old ones: second stories are added to houses and shops, linked together by catwalks. It seems blindingly obvious in hindsight, but until now I’d never thought about how the design would affect the feel of different neighborhoods. Now my mind is reeling with possibilities: you cross a bridge from a harbor neighborhood, packed with bustling sailors and fish markets, and after walking all of ten feet come to a somber island full of ancient government buildings, a neighborhood that has stood for thousands of years. Climbing a ladder up the side of one of these structures, you find yourself again in an entirely different neighborhood, a recently constructed residential neighborhood of wooden shacks strung with colorful banners where the air is full of laughter and music.

You can find inspiration anywhere. The old adage “write what you know” is both true and not true. You can certainly write about places you’ve never been, jobs you’ve never done, and experiences you’ve never had, but drawing from your own experience lends truth and depth to your story. I don’t know what it’s like to live in a medieval city ruled by pirates and smugglers, but I do know what it’s like to move to a new place and feel your life has suddenly begun.

Venezia has been very busy applying to and interviewing for universities so was not around to share her thoughts this time, but fear not! There is plenty more to come.

 

¿Y Tú Tambien?

What about you? How have the places you’ve lived or traveled shaped your creative works?

Feeling inspired? Check out our video series Exploring Mexico to see more of this beautiful country.

Off to Camp: Write a Novel A Month

If you’re a creative you may have heard of NaNoWriMo, or National Novel Writing Month. In short, it’s a friendly worldwide challenge in which aspiring authors try to write a 50,000+ word novel, from start to finish, during the month of November.

In recent years, they’ve been doing Camp NaNoWriMo each April. Same idea, except each user sets their own goal which can be any number of words or pages written or even hours spent writing. Being aspiring writers, both Venezia and I are going to participate in Camp NaNoWriMo this year.

Camp NaNoWriMo: In So Many Words

Car loaded with camping gear
I may have taken the camp metaphor a bit too literally.

The beauty of NaNoWriMo is that it forces you to attempt something that should be impossible, yet most participants find it surprisingly doable once they get in the right mindset. In fact, it gets easier and easier every year, and I’ve personally come to believe that it is possible to write a complete novel every month without spending more than an hour or two a day doing so. More on that later this week.

Throughout April, we’ll post updates of how we’re doing as well as talking about what’s going on in our stories, what tools and tricks we’re using to get through the month, where our inspiration’s coming from, and so on.

Even if you are not a writer yourself, we think you’ll find the experience interesting. The creative process transcends any one art form, and whether you’re a painter, game designer, or bodybuilder, pushing yourself to accomplish the impossible is a valuable skill.

Without further ado, let’s meet the campers.

Evaric: A Memory in Indigo

The branches of a blooming jacaranda tree
A lot of Mexican influences will probably make it into the book. Exhibit A: jacaranda trees.

Goal: 50,000 words

I’m writing a high fantasy adventure, with a twist. The genre is usually about battles and cosmic evil and saving the world, but it doesn’t have to be. My novel, A Memory In Indigo, follows a budding mixologist on a quest to discover the recipe for a particularly well-crafted spirit he tasted in his youth. There’s pirates and sea monsters and a hint of magic, sure, but the story is first and foremost about an artist’s struggle to master their craft. At least that’s the plan. I haven’t started writing it yet, so who knows how it will pan out.

I opted for the traditional NaNoWriMo goal of 50,000 words just for consistency. As I mentioned before, I have a theory about making a lifelong habit of writing a book a month. Starting tomorrow, I’ll put my theory to the test.

Venezia: Untitled (???)

Ocean surf beating against the rocks of the shore
My book has a lot to do with the ocean – and the isolation that comes with it.

Goal: 60 hours

I’m writing a mystery, although it’s not a very mysterious mystery. It’s a lot more about the characters than about finding out the answer to the mystery itself, so I’m not really sure how to classify it.

I am writing the end of a novel I have been working on for a very long time and I don’t know how many words I left. I am a slow and inconsistent writer so I don’t want to stress about word count. I’m just going to sit down and write for 2 hours every day.

Grab a Seat by the Fire

If you’re participating in Camp NaNoWriMo this year, or have participated in any NaNo event in the past, we would love to hear from you. If not, and if you’ve ever wanted to write a novel, consider giving it a try! You’ll be surprised what you can accomplish, and it’s a great way to meet people with similar interests. As a matter of fact, Venezia and I met at a local NaNoWriMo meetup – but that’s a story for another day.